Dear Reader – July 2021 Interim Update

View of the ocean from the beach. The water is glassy and reflective. A bird is silhoutted against the water.

Calm After The Storm

Dear Reader: It is my intention to start posting here again. It’s been almost 3 years since my last post, and obviously much has happened. Below is a pandemic update I drafted in July 2021, by way of filling in some of the time since late 2019.

Let me just say that, today, in July 2021, I am fine. I mean, the country and planet are still fucked in profound ways, that are likely to stay fucked, barring an invasion by space aliens or the second coming of Buddha. But I still have a job, and a roof over my head. None of my family members or friends contracted Covid. Still, it’s been a year. My job had been a grueling, stress fest that kept me tethered to my laptop every day. We had the pandemic, nationwide protests over the George Floyd killing that were met with brutal police repression, unprecedented wildfires that erupted in multiple states, including here in California where 1000’s of my neighbors were left homeless by the CZU lightning complex fires. We were evacuated for 3 weeks, but our house was okay when we finally returned.

Let’s rewind the clock to March, 2020, the last day of normalcy before lockdowns and so many other changes that would shake the country to its core. I was at the Melo Melo kava bar in Santa Cruz with our friends and the various regulars we had come to know. I could see the writing on the walls with respect to the lockdown coming. Coronavirus was already raging through NYC, and our governor Gavin Newsom had announced that California would go into lockdown on March 16. It was evening and we were hanging out with our kava bar friends – Andi, Carly, Lisi, Amira, etc. It was kind of an impromptu farewell for Carly, who was moving back to Texas. We were drinking kava outside Melo Melo and at the same time a BLM protest was zig-zagging through downtown. I remember Carly asking me how I’m doing and me answering that my heart was breaking for my country – alluding to the pandemic which it was already clear to me would cause terrible loss and suffering – as well as the grievous racism that is so deeply rooted in our laws, economic system and minds, which the latest police murder had thrown into the spotlight again. I also gestured to the protesters and said they gave me hope.

The political situation in the US was a grim charade. The Republican party was a full-throated death cult – ignoring science, attacking LGBTQ rights, women, people of color, the environment on every front. President Trump, his family and his cronies were openly breaking the law and nobody seemed to care.

So let’s talk about Stereolab, a band that has been offering a critique of capitalism wrapped in sophisticated post-rock sounds since the early 90s. I had come to Stereolab late in the game – I discovered them around 2015 long after they had stopped being active. But the music was still out there, and I fell for them hard. I listened to Emperor Tomato Ketchup, ABC Music: The Radio 1 Sessions, Transient Random-Noise Bursts with Announcements and others. I love their first album, Peng!, with its more guitar-based sound layered with Laetitia Sadier’s haunting melodies, a lot.

A couple of years ago Stereolab started re-issuing their entire catalog in deluxe, remastered editions. It wasn’t long before tour dates began to be announced. I picked up tickets for their October 18, 2019, 8pm show at the Fillmore, the 2nd of a 3-day run in San Francisco.

[To be continued…]

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Kamelot, Sonata Arctica and Battle Beast at Palace of Fine Arts

Kamelot at Palace of Fine Arts

Kamelot at Palace of Fine Arts


Show date: Friday, October 4, 2019

I’ll be honest, this is not the kind of music I would put on for myself. But I’ve been spending a lot of time driving with my older son and I typically let him pick the music. So I’ve been getting introduced to bands like Diablo Swing Orchestra, Kamelot, Battle Beast and others on tonight’s bill. It didn’t take any arm twisting on my son’s part to convince me to join him for an evening of metal. The Palace of Fine Arts is such an iconic venue, and I had a feeling the bands would put on a really good show – I was not wrong.

My son drove us all the way from Boulder Creek to San Francisco on his learner’s permit. I wasn’t sure he was going to be game, but he ended up driving us all the way to the City for his first time. We parked down by Crissy Field, so we were right there by the Bay in the late afternoon. We soaked in the view for a few minutes, and then headed to the Marina district to find something to eat. A little while later, bellies full, we made our way to the Palace of Fine Arts.

It was twilight, and there were folks scattered about the great semi-circular colonnade of the Palace, with its statues and lush vegetation. There were the inevitable couples getting their engagement photos, and a few groups of obvious metal fans looking for the entrance.

I wasn’t sure what to expect, but I found the event to be very inviting. There were a lot of young, kind of nerdy guys like my son, many sporting band shirts and jeans. But there were folks of all ages, and likewise there was a fair number of women as well. There were only a small number of folks in what I would call “metal” attire – long coats and leather with studs and klunky black boots – and these were mostly older (on up from 40-ish) couples. There were a few groups of younger women that had some pretty cute metal outfits as well. In general, there was a feeling of camaraderie, of being inside a smallish subculture, with limited opportunities to gather.

The show got started pretty directly. It is an elegant theater on the inside, and everybody was sitting in their comfy seat when Battle Beast took the stage. Lead singer Noora Louhimo was decked out in Viking themed battle dress, and topped with a helmet with horns. Louhimo declared “This is a metal show! What are you all doing sitting down?” Naturally we all stood up and pretty much stayed standing for the rest of the night. Battle Beast was maybe my favorite act of the evening, because of the strong stage presence and vocal performance by Louhimo. As would be the case with most of tonight’s bands, there were several anthemic numbers (Eden, Straight to the Heart) that had the crowd pumping their fists.

I think Louhimo was being a little tongue-in-cheek when she claimed that Battle Beast is Finland’s number 1 “satanic melodic death metal” band. A little bit later she joked that they used to be a viking metal band, and then launched into Bastard Son of Odin from the 2017 Bringer of Pain album. Battle Beast played a solid set, took their bows for the appreciative crowd, and then they were gone.

Next on the bill was Sonata Arctica from Sweden. I enjoyed this band a lot, too. Lead singer Tony Kakko was really very sweet and down-to-earth. He thanked us all for supporting the artists, and showing up for live performance. Kakko mentioned that he was a parent, and directly referenced the climate crisis, so kudos for that. I noted that one of the songs related to suicide? He said “Life is better alive” which I certainly can’t argue with! They also did a vodka chant which was amusing. I noticed that the audience knows the songs and is singing alone which is great.

Finally it’s time for the main act, Kamelot. There are blinding lights, and the drummer is up on the big riser. My notes say “relentless from the first note” and “emoting and thrumming 110%”. Surprised to find just now that Kamelot is actually from Tampa, Florida. Lead singer Tommy Karevik is from Sweden, though. Karevik has an excellent voice. Joining Karevik on several numbers is Lauren Hart which added a nice counterpoint. Pretty much every song was a barn burner – drums pounding relentlessly, veins bulging on the bassist’s forehead, guitar player shredding and stalking the stage. We really got our money’s worth from this show!

Kamelot Set List

Kamelot Set List

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Kristin Hersh at Bottom of the Hill – Sunday, September 29, 2019

Kristin Hersh electric trio at BOTH

Kristin Hersh electric trio at BOTH

I discovered Kristin Hersh in the mid 90s. The first time I saw her perform was a solo performance in San Francisco. Hersh had just released her first solo album, Hips and Makers. That first Kristin Hersh concert was unforgettable – just Hersh on a stool with an acoustic guitar, swaying and singing those brilliant tunes.

I retroactively became a fan of Throwing Muses, too, and mentally kicked myself for missing their explosive, early period. But I’ve been a fan of Hersh’s music for 25 years, and have followed her steady output of solo albums, Throwing Muses releases as well as 50 Foot Wave, her punk band. Hersh is a stunning author as well. I highly recommend her memoir Rat Girl, which I just spent the last hour skimming to find this quote:

Some music is healthy, anyway. I know a lot of bands who’re candy. Or beer. Fun and bad for you in a way that makes you feel good. For a minute. My band is … spinach, I guess. We’re ragged and bitter. But I swear to god, we’re good for you.

Her last few records have kind of blended together for me, though I can appreciate that each one was created by a remarkable artist who’s songwriting, musicianship and production are in peak form. Her most recent album, Possible Dust Clouds, is full of compelling songwriting, from the driving LAX to the folksy Lady Godiva.

The recent performance by the Kristin Hersh electric trio at Bottom of the Hill falls into the spinach category. It was not a “fun” show, but it was good to be there. Hersh was accompanied by longtime Throwing Muses bassist Fred Abong and drummer Rob Ahlers of 50 Foot Wave. Hersh and band laid into the songs with a fierce intensity.

I was blown away by Hersh’s guitar playing which was technically on point, muscular and emotional. Hersh moved effortlessly between rhythm and lead, and her solos were searing, psychedelic, wah-drenched romps. Memorable songs included a rocking Mississippi Kite from the Crooked album, and a crisp, god-like Cuckoo from her first album.

The warmup bands were Dizzy Twin and Fred Abong (also the bassist in Kristin’s band). About Dizzy Twin I can say I loved the rhythm section. However I found the singer to be massively annoying, to be honest, which kind of blemished the experience. The style of music was kind of metallic, operatic, steampunk. The singer had on a metallic vest, and bowler hat. I focused on the guitarist on right of stage, who was very good, and mining a sort of of Led Zep/Ozzy groove.

Fred Abong played next. Just Fred on vocals and guitar. Looks like Kristin loaned him one of her fancy thin, hollow body electrics which sounded gorgeous. Abong had a nice clear voice with effective, hoarse edge to it. Abong’s themes were stark and his sound was spare.

Kristin Hersh electric trio at BOTH set list

Kristin Hersh electric trio at BOTH set list

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