Pandemic Livestreams – 2020 and 2021

Flyer for Mary Timony livestream picturing the artist, standing inside the church, holding her Fender Jaguar guitar.

Flyer for Mary Timony livestream


In 2020 and early 2021 the pandemic was raging, no vaccine was available, and thousands of people were dying terrible deaths weekly. The world really did shut down in significant ways – jobs (where possible) went remote, school went remote, many businesses shuttered, while others adapted by providing drive through service, delivery and so on. I saw no live, in-person music from March, 2020 through January 2022.
In the early weeks and months after lockdowns began, many performers organized streaming events. My wife and I watched an early one headlined by Willie Nelson, which was also a fundraiser for folks who had been impacted by the pandemic. It kind of jumped around from artist to artist, each one playing a couple songs from their own studios or living rooms. Patti Smith streamed a performance with her band. At that time folks would literally quarantine for a week or two before gathering, and the drummer still wore a mask as I recall. Kaelan Mikla streamed from Iceland, which was relatively protected from the virus. Vial performed in their basement and the Aquadolls streamed from bass-player Keilah’s couch, with Jackie doing percussion on a cajon.

By far the most amazing stream I saw was Mary Timony performing songs from her beautiful album Mountains, which had recently been re-released on its 20th anniversary. The performance was recorded in St Mark’s church in Washington, DC and everything about it was magical. This was a ticketed event that was only available for a few days in March of 2021. Mary was joined by a number of accomplished musicians – Mark Cisneros, David Christian, Amy Domingues, and Winston Yu inside the airy church. There were strings, flute, keyboards and percussion. Only 6 six songs, but it was so magical.

I’m writing this in August of 2024, and the pandemic is still raging, despite assurances from politicians and business leaders that the pandemic is behind us. All the pandemic mitigations from 2020 and 2021 have largely ended. Meaningful statistics are no longer being collected from hospitals, and some cities are actually passing anti-masking legislation (!) with the ostensible goal of public safety. I am personally recovering from my second infection, which has really knocked the wind out of my sails. It’s really a time of collective stupidity, and total abnegation of responsibility by politicians and health officials.

The Aquadolls, Keilah, Melissa and Jackie sit on a couch, smiling and performing.

Aquadolls Livestream

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Sinéad O’Connor at Rio Theater – February 12, 2020

Sinéad O'Connor and band performing

Sinéad O’Connor and band performing


The last live music performance I would see for almost 2 years was Sinéad O’Connor, performing in our little podunk town of Santa Cruz on February 12, 2020. This brings up multiple forms of grief. Sinéad is not going to be gracing the Rio Theater any more in this lifetime. Even at the time I was aware that seeing Sinéad was a rare opportunity – in retrospect it is much more bittersweet.

Show was very lovely, but low key. She started right at 8:00pm, and we were leaving the theater at 9:10pm. She sang with plenty of emotion, and her energy felt very clear and grounded. Sinéad and the band sounded great, and they looked like they were enjoying themselves.

The band consisted of bass and drums, two guitar players, and keyboards. The sound was full and satisfying. Sinéad had good rapport with the two guitar players, and they joined in on vocals, including one pretty a capella number. In my notes I wrote that the band is 70s style rock, a la Delany & Bonnie. Well folks, that’s all I have to say for now.

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Cry Babe, Suzie True, Chaotic Futch & Eve’s Peach at Sub Rosa

Cry Babe performs at Sub Rosa collective in Santa Cruz. Cry Babe is Anaïs on vocals and omnichord, Madeline on bass and Rose on drums.

Cry Babe performs at Sub Rosa collective in Santa Cruz

Today’s mini-review from my concert backlog is Cry Babe, Suzie True, Chaotic Futch & Eve’s Peach at Sub Rosa. Date of this show was January 20, 2020. I mostly showed up to see Suzie True, a DIY trio from Los Angeles that I reviewed in these pages here.

Sub Rosa is a tiny DIY space and half the audience are members of the other bands on the bill. Chaotic Futch had already finished when I got there. Eve’s Peach were up next. I had seen them open up for Diet Cig previously and was not impressed. They were better tonight. They are dorky, but having fun.

Suzie True put on a fun and energetic performance. Suzie True is Lexi McCoy on bass and vox, G Leonardo on guitar and Sarah Pineapple on drums. They are bratty and spunky and fun to see live! They played songs from the 2018 EP Nothing to You, as well as Saddest Girl at the Party which would come out later in 2020. Suzie True is on tour now, so go catch them in person if you can.

Cry Babe was the last band on the bill. Cry Babe’s line up is Anaïs on vox, omnichord and guitar, Madeline on bass and vox and Rose on drums. They were sonically interesting and well worth seeing live. Anaïs had great energy and a gorgeous, soaring voice. I had no idea what the curious electronic instrument that she played was, but have now figured out it was an Omnichord – really a kind of toy instrument with buttons to play chords, and a touch plate to play strings. Anaïs used it to good effect while Madeline and Rose set up throbbing drones on bass and drums. It was reminiscent of Sonic Youth. They no longer seem to be active which is too bad.

Suzie True performs at Sub Rosa collective in Santa Cruz. Suzie True is Lexi McCoy on bass and vocals, G Leonardo on guitar and Sarah Pineapple on drums.

Suzie True performs at Sub Rosa collective in Santa Cruz

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